Stephen O'Connor unveils fictional cast of local ‘characters’

Author Stephen O’Connor of Lowell (photo courtesy of Andy Robinson, Facebook)

By Cameron Morsberger, Lowell Sun, 12/9./22

LOWELL — Judging just by his last name, Steve O’Connor has some deep Irish roots.

Three of his four grandparents were born in Ireland, and the Lowell native was influenced by Irish songs and poetry and 12 years of Catholic school — “enough to screw up anyone for the rest of your life,” he said.

It was in sixth grade that O’Connor said he remembers a nun told him to “write whatever your little heart desires,” a phrase that’s clearly stuck with him.

O’Connor is launching his newest book, “Northwest of Boston,” at the Athenian Corner on Saturday, Dec. 10 at 2 p.m. The book, published by Loom Press, contains a collection of 24 short stories and a “comic essay at the end,” O’Connor said. Though all the stories are fictional, many are inspired by the many interesting characters O’Connor has met in Lowell.

Nearly all the stories are actually set in Lowell, O’Connor said, referencing places such as Cupples Square and Middlesex Street.

“The advantage I have in Lowell is that, I don’t want to compete with Shakespeare and Virginia Woolf and Joseph Conrad really, but people in Lowell, at least, are going to say, ‘I know these people,’” O’Connor said. “So from that point of view, I mean, you still have to write good stories, but I think it’s somewhat of an advantage for a local audience to have things that they recognize.”

The concept for one of those 24 stories came from a Lowell resident who served 20 years in prison for bank robbery, O’Connor said, while another came from “an old Greek man.”

One story, titled “Down to the Crossroads,” follows a blues singer in Lowell who decides to give up drinking. As the plot progresses, the musician is penning a song on guitar. O’Connor actually sent the lyrics over to an old college friend, who turned it into a real song called “Manville Bells,” which people can listen to on YouTube.

“I don’t know how many writers just invent characters out of whole cloth,” O’Connor said. “I think you’d have to have some kind of an idea of the type of person, and then you look back on your life and think like, ‘OK, well this is a crazy bastard, he would do this.’”

But it took O’Connor several decades, post-higher education, to pursue his passion. He got caught up in academic writing, having earned his master’s degree in Irish literature and another master’s at UMass Boston in teaching English as a second language.

O’Connor strayed away from creative writing, but still recalled the secret agent stories he loved as a child, as well as his love for fiction.

He taught ESL at Greater Lowell Technical High School for 29 years, and during his off summers, he began to write. His short stories captured the attention of several literary magazines, leading to the 2010 publishing of his first book, “Smokestack Lightning,” a collection of short stories.

Four books later, O’Connor has recaptured his fiction writing spirit.

“You just start to see life as you get older from a different perspective, and so there’s always something kind of new to experience because you’ve never been this age before,” O’Connor said. “You’ve never been related to people in quite the same way before.”

“Northwest of Boston” is also dedicated to the “working people,” O’Connor said, including immigrants like his grandparents, as well as waitresses, roofers, factory workers, nurses and everyone in between.

O’Connor said he sometimes gets a feeling from his wealthier friends that they think working class folks are “dumb,” and that couldn’t be farther from the truth.

“I kind of want to show people that are working people but they have a lot of dignity and a lot of intelligence,” O’Connor said, “because my father was a drywall guy, and he was in his armchair reading every night, and there’s a lot of people like that.”

The cover of the book was illustrated by O’Connor’s son, Brian O’Connor, and features the mills and canals that epitomize the city. His son also drew the cover of Steve O’Connor’s 2020 book, “This Is No Time To Quit Drinking.”

O’Connor’s book will be available for purchase at the launch on Saturday at the restaurant, coincidentally where he and his wife had their first date more than 30 years ago. O’Connor added that there may also be Irish step dancers there to provide some entertainment.

While O’Connor was in Dublin, he visited a bartender who asked him where he was from. When O’Connor told him he hails from Lowell, he said he was surprised to learn the bartender had been there before. When O’Connor asked what the bartender thought of the city, he had an interesting response.

“He said, ‘Well, it’s an old city with a lot of character and a lot of characters,’” O’Connor said. “And I said, ‘Boy, I couldn’t describe it better myself.’”

“Northwest of Boston” will be on sale at Lala books in Lowell, as well as on Amazon and at loompress.com.

New Review of 'Put It Down on Paper'

‘Put It Down on Paper,’ The Words and Life of Mary Folsom Blair: A Fifty-Year Search, by Phil Primack (Loom Press, 2022)

 A review by Ann Fox Chandonnet (9/12/22)

Every reader loves the tale of a long, arduous search, whether it is for gold in the Klondike, an ancient Inca city, a cure for cancer or prairie children kidnapped by Native Americans. If the search is successful, even better.

In the case of “Put It Down on Paper,” journalist and author Phil Primack essentially is smitten with a Quaker school teacher, Mary Folsom Blair (1891-1973).

Quakerism is just one of the engaging fragments of the belief system behind the Folsom Blair puzzle. Here is a woman who is unsure of her sexuality, who wonders in a poignant passage if two people truly can fit into one hammock. She inadvertently arranges marriages for her friends, but she remains single and in despair until she meets and marries her “hero on ice” when she is 36. She yearns for a child but none comes along. Fortunately, she has a heaven to escape to—a rural New Hampshire getaway, a small cottage she names Arcady.

Folsom Blair is an educational genius. She knows enough to feed students who are hungry, to let school out when memorizing has gone well, to be loving as well as strict with her pupils. She is not swayed by Victorian looky-loo’s who would criticize her swimming with her students or hiking the woods with young boys. She was a complete unknown as a diarist, but I would rate her right up there with Pepys for honesty and endeavor. Now her fascinating journals are, as a result of Primack’s efforts, archived in the Manuscripts of the Schlesinger Library on the History of Women at Harvard’s Radcliffe Institute for Advanced Study. In 1916, Mary was a “special student” in at Radcliffe, which now hoards her plain-spoken sentences like diamonds.

In 1974, completely by chance, Primack buys the house that Mary’s father built in 1870. It is stripped of personal belongings, but he is piqued enough by what he hears about her to track down relatives and finds her journals. Mary began her diary at age 15, an age when all females are trying to “find themselves” and their place in the world. She has a social life, blessed by friendship with two other women. She is unsure of herself, but secure in the bosom of Nature.

Nature is what Primack has in common with Folsom Blair, the shady glades of the New England forest. But as bits and pieces of information about her fall into his lap, he sees her as a kindred soul who takes life seriously and attempts to keep a record of “the pain that this life holds for women.” Her journals could be called “confessional,” but she has no aim to catch readers in a bathetic trap. She is a hardy woman who is still canoeing and sleeping in the open as she nears 80.

“Put It Down on Paper” is a remarkable story of one woman’s attempts to be honest with herself and lead an honorable life, no matter what. Not only does Folsom Blair commit her thought to paper, but she also writes them on the walls of Arcady, including a long poem about Pan as well as names and dates of her many visitors. This is a marvelous story of one courageous woman and of the dedicated detective who sought her out: an absorbing memoir, an evergreen treasure for those who study the history of turn-of-the-century women in New England.

Author Phil Primack at Gibson's Bookstore in Concord, N.H., 9-8-22

Literary lunchtime event in Concord, N.H., a Gibson’s Bookstore with Phil Primack, author of “Put It Down on Paper,” the story of Mary Folsom Blair, teacher and writer from N.H. whose journals and letters record her life through most of the 20th century. Here are the details about the event. All are welcome.

Mary E. Folsom Blair was just a name on a listing sheet when young writer Phil Primack bought her Epping, New Hampshire, property in 1974. As he learned more about this lifelong teacher, Quaker, and early advocate for outdoor education, his reporter bones began to twitch. Over decades, Primack talked to her former students and relatives, tracking down Mary's most accurate life record: letters and journals dating 1897, when she was fifteen. Her sharp mind and creative soul grapple with the social restraints of her time and "the pain this world holds for a woman." Mary pens her hopes and bares her despair as young chums die, her classroom ways are challenged, relationships with men and women end until--resigned to her fate as "spinster that was, is and ever shall be"--she meets her Hero on ice. With her collected papers preserved at the Radcliffe Institute of Advanced Study, Mary Folsom Blair will teach in a digital forever.

Thursday, Sept. 8, 12 noon, 45 South Main Street, Concord, N.H.

David Daniel ('Beach Town,' stories, forthcoming from LP in the fall) Recalls Heyday of In-Store Author Events

David Daniel’s book of stories, Beach Town, is due from Loom Press in the fall. In this Boston Globe article he remembers fondly and with humor his many bookstore events as an author waiting for the public to buy his book and get a signature. Dave is the author of award-winning fiction. He lives in Westford, Mass.

Read the Globe piece here.


'The Words and Life of Mary Folsom Blair" Due in Summer 2022

‘Put It Down on Paper’: The Words and Life of Marty Folsom Blair, a Fifty-Year Search by longtime journalist Phil Primack of Massachusetts is a remarkable account of a representative woman of her time, much of it in her own words (journals and letters) who was a teacher in New Hampshire. Born in the late 19th century, she left us a compelling record of a full life, especially in the early decades of the 20th century. Primack assembled her life story, drawing on her writing and interviews. In 2020, he wrote about her for the Boston Globe. Mary Folsom Blair’s papers are destined for the Schlesinger Libray on the History of Women at the Radcliffe Institute for Advanced Study, Harvard University. As a mid-career public school teacher, Blair was admitted to Radcliffe for education studies. Here’s a link to the story.

Pre-order the book here.

New Elinor Lipman Award in Lowell

Author Elinor Lipman (web photo courtesy of Michael Lionstar)

The Pollard Memorial Library Foundation in Lowell is accepting work for the first Elinor Lipman Award, named for the popular and critically acclaimed writer who grew up in Lowell, Mass. The competition is open to residents of Lowell and current students at UMass Lowell and Middlesex Community College. Loom Press is proud to be a major sponsor of this new award, which will be an annual offering. Here’s the link for all the details.

Fan Letters for Photographer James Higgins

Jim Higgins on the move

Praise Mail for James Higgins’s NORTH & SOUTH IRELAND Photographs

 January 2022

 Hi Jim,

 Today happens to be my birthday. I'm not fishing for happy birthday wishes but instead I want you to know that my sweetie, Sheila, as an early birthday gift, last night, prior to the blizzard today, gave me a copy of Before Good Friday and the Celtic Tiger.  I spent this morning, with a very good cup of hot coffee, reading this beautifully produced book by Paul and Rosemary's Loom Press and lingering over every one of your photographs.  They are exquisite!  Not only impressive technically and compositionally, but remarkably poignant. And a brilliant work of social documentary.  

 I also think that Stephen O'Connor's introductory essay was masterful in introducing the reader to you and your approach in documenting with a camera the people, places, and history you encountered, or perhaps more accurately sought out, in your travels South and North.  I've read a number of these kind of pieces introducing photographers and their work. O'Connor's is among the best!

 Congratulations on such a wonderful book.  It truly does justice to your work!

 Best to you.

 Gray Fitzsimons

 p.s.

I don't seem to have Paul's email.  If you correspond with him, please let him know how much I enjoy this book.

 ----------------------------------------------------------------

 Here is a recent email from Malachy Daly, the guy with the spiked hair on Page 70

 Hi James, the parcel arrived yesterday.  Thank you so much. The book is brilliant. The book is a great piece of Irish social history showing working class people in a moment of their daily lives. Effectively, it's a celebration of Ireland's rich social culture, away from the picture postcards and the leprechauns. In one frame, you've two bridge workers who were working on the Foyle Bridge. I go over that bridge twice a day. We forget the hard work it took to build the bridge and the life that was lost. You give the workers a face. Ireland has changed so much over the last forty years.  

In the quote under my picture, I pay homage to my buddy Stevie McCartney. He has since died. Seeing my quote brought a smile to my face. I'll be giving a copy of your book to his brother, who was also a punk.  

 Are you doing a book launch in the US? If so, please forward me a couple of pictures.    

 Please keep me informed about your work. If you need me to do anything on this side, just say. Maybe, the next time I'm on the East Coast, we could meet up for coffee.  

 Talk soon and thank you again for the copies,

 Malachy Daly

Linda Hoffman's New Memoir Praised in Boston Globe, Oct. 31

Artist Linda Hoffman’s memoir The Artist and the Orchard published this month by Loom Press earned praise from the Boston Globe’s Nina MacLaughlin in her Sunday column in the book section, New England Literary News on Oct. 31.

“Apples and Art

"Artist Linda Hoffman admits that when she moved to an abandoned apple orchard in Harvard, Massachusetts, in 2001, she “didn’t know the first thing about growing apples.” But she turned Old Frog Pond Farm into the first organic pick-your-own apple orchard in the state, and in the 20 years since, has learned what it is to grow, tend, and be a steward to a place in ongoing change. Her new memoir, “The Artist and the Orchard” (Loom), details the process of making a home on the farm, and learning the ways of the trees, from the practical concerns of bees, fungus, and the intricacies of pruning, to more spiritual and metaphysical explorations of what it is to know a place intimately, to be connected to the shifts, the growth, death, and rebirth of a piece of land, to be awake to the ever-unfolding transformations taking place, both internally and externally. ‘Mystical moments arrive unexpectedly in the brushwork of clouds over the orchard at sunset and in the quaking orange of a pair of orioles among the green leaves of the apple tree. Yet it is living season to season, on this land, tending it year after year, that I see the nurturing and inspiration the farm offers.’”

'A Superb Book,' Says UK Reviewer Richard Taylor

John Wooding’s recent biography of 20th-century social philosopher Richard Gregg earned the highest praise from reviewer Richard Taylor in the UK-based scholarly journal “Marxism and Philosophy.” He writes, “Overall, this is a superb book about an important and wholly admirable man, Richard Gregg, who provides a moral and political exemplar for our troubled, corrupt, and dispiriting times.” Read the full review here.

“The Power of Non-Violence: The Enduring Legacy of Richard Gregg" by John Wooding is available in stores and online including at loompress.com—and as an ebook via Kindle

The Power of Non-Violence.jpeg

Boston Globe Reviews Sarah Alcott Anderson's New Poetry Book

New England Literary News

By Nina MacLaughlin Globe Correspondent,Updated August 6, 2021, 10:02 a.m.

Sarah Alcott Anderson's debut collection of poetry holds simple, powerful intimacies.SARAH ANDERSON

Sarah Alcott Anderson

Sarah Alcott Anderson

New verses

In her wise and elegant debut collection “We Hold on to What We Can” (Loom), Sarah Alcott Anderson reminds us of the simple rhythms, and the ripples that move backward and forward across time, touching us in the right now. Anderson, who chairs the English department at Berwick Academy in Maine and runs the Word Barn in New Hampshire, deposits us in landscapes geographic — New England, Ireland, woods, fields, front porches — and emotional. Her lines move with a powerful and understated ferocity. “We fall / and feel in charge / of something. Ourselves? / Our strong bodies?” In subtle ways, she shows the ways time moves and aims a lens on her childhood, and her children. A conversation continues so long that “voices scratch / the worn wooden table, until the ocean in our story / is far away.” These are tender poems, not soft, not sweet, but in seeming to work in opposition to a world that often seems to reject vulnerability; in that way, they pulse with strength. “We buried the shells. / We thought they were ours.” She makes us ask what belongs to us — everything? nothing? — and there is comfort in her distillation of registering loss: “as if we ever / fully endure / someone’s / turning to go.” These poems refocus our eyes, and realign the thing that moves inside us.

Boston Globe Reviews 'The Power of Non-Violence' by John Wooding

NEW ENGLAND LITERARY NEWS

A book about non-violence, a new collection of writing about recovery and addition, and the return of a music-and-literature event series

By Nina MacLaughlin Globe Correspondent,Updated July 8, 2021, 6:16 p.m.


A history of non-violence

In 1922, at age 37, a Chicago labor lawyer named Richard Gregg was introduced to the work of Gandhi, and it changed the trajectory of his life, steering him to “rethink how conflict could be resolved and how injustice might be fought.” Gregg traveled to India to study with Gandhi, one of the first Americans to do so, and wrote “The Power of Non-Violence,” the primer on how to protest peacefully which influenced a generation of activists including Martin Luther King, Jr. A thoughtful, illuminating, and accessible new biography, “The Power of Non-Violence: The Enduring Legacy of Richard Gregg” (Loom Press) by UMass Lowell political science professor emeritus John Wooding, shines light on Gregg’s life and work, calling Gregg’s book “one of the most important works on pacifism of the twentieth century.” Wooding braids in stories of his father, finding his research on Gregg serves as a map to better understanding his dad. Gregg lived by a philosophy of “voluntary simplicity,” and the importance of sustainability and environmental stewardship, and this biography arrives at a time when we are well-served to be reminded of Gregg’s insights and example.

. . .